SIGNAL COLLECTION
a quiet act of devotion to each other and to the natural world
Megan James and Brian O'Hara, collaborators and partners, speak to each other through the ocean. Her seascapes hold the water, and his gold and white words arrive on it like transmissions: Transcendence, Unity, Love is not a feeling, it is a Practice. Tides, moon phases, and stars carry the rest of the message. The result is a quiet act of devotion to each other and to the natural world, and it brings a contemplative, intimate presence to a space, a reminder of connection held over time.
BRIAN O’HARA
BRIAN O’Hara writes backwards, letting words and symbols surface intuitively
as gold and white calligraphy he calls Future Codes. The language works like code: symbols carrying structure and repetition, built from patterns that arrive faster than they can be consciously composed. It reads as syntax before it readsas meaning. These glyphs behave like a script waiting to be run, translated only by intuition.
MEGAN JAMES
Megan James paints the ocean as a living record of tide, light, and memory.
She works with pigments drawn from the natural world, foraged clay, charcoal from natural fires, butterfly pea flower, rainwater, building each large-scale canvas slowly over many layers. The paintings emerge from years of sustained attention to the sea, carrying its movement and mood in the very materials they’re made from.
LOVE I, 2026
Rainwater, coffee, clay, and acrylic ink on canvas
A deep, earthen field made from clay Megan foraged in California, mixed with rainwater and coffee. It’s built in many thin layers until the color settles into a warm, even brown with a soft, velvety surface. Light pools gently toward the lower half, the way afternoon sun moves across a wall.
Over it, Brian O’Hara writes Love in pale, chalky line, backwards, in his Future Codes language. A single open circle sits at the center, held between long parallel strokes above and below and crossed by one clean diagonal. The marks are simple and few, so the word reads first as a quiet, balanced shape.
Free shipping within the continental U.S. Shipping is included in the price of every original. There are no added fees at checkout. Each piece is carefully packed, insured, and shipped with tracking. For international orders, please reach out for a quote.
CLAY, COFFEE, TREE BARK, RED OXIDE, RAIN WATER
The soft brown works are made with clay Megan foraged in California, mixed with rainwater and coffee. She builds the color slowly, misting the canvas and laying down thin washes, then waiting for each one to dry before returning. Over many layers the surface takes on a soft, suede-like feel, something you want to touch. She darkens the edges by hand, so the color gathers at the borders and softens toward the center, like light fading at the end of a day. Each piece holds the earth, the rain, and the hours it took to bring them together.
IN MALIBU, THERE ARE MORNINGS WHEN THE OCEAN AND SKY TURN THE SAME PALE SHADE AND THE HORIZON DISAPPEARS. WATER BECOMES AIR, DISSOLVED TOGETHER.
The water pieces begin there. Megan works with charcoal foraged from the remains of natural fires, indigo ink, and butterfly pea flower. The charcoal settles into soft greys, the indigo deepens the blue, and the butterfly pea flower adds a lighter, cooler tone. Layer by layer, they drift into one another with no line to mark where one ends and the next begins.
Transcendence I, 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
A still, silver sea fades into a pale sky with no line to mark where one becomes the other. Rainwater, butterfly pea flower, and charcoal from natural fires are layered in thin washes until the water seems to turn into air.
At the center, Brian O’Hara’s gold script gathers into a single dense form, written backwards in his Future Codes language. Angles, crossing lines, and short strokes stack and interlock, rising off the water like light lifting from the surface. Transcendence is written there, though it reads first as a glowing cluster suspended between sea and sky.
Free shipping within the continental U.S. Shipping is included in the price of every original. There are no added fees at checkout. Each piece is carefully packed, insured, and shipped with tracking. For international orders, please reach out for a quote.
Devotional Offering, 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
A pale, quiet sea where the horizon almost disappears. Rainwater, butterfly pea flower, and charcoal from natural fires are layered in thin washes, so the soft grey water rises slowly into a warm, misted sky with no hard line between them.
Brian O’Hara’s gold script rises through it in two vertical columns, written backwards in his Future Codes language. Arcs, circles, and fine crossing lines climb from the water toward the light like something being lifted up and given. The phrase is there, though it reads first as two columns of rising gold.
Free shipping within the continental U.S. Shipping is included in the price of every original. There are no added fees at checkout. Each piece is carefully packed, insured, and shipped with tracking. For international orders, please reach out for a quote.
UNITY, 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
A grey, moving sea beneath a soft, hazy sky, the horizon blurred by mist. Rainwater, butterfly pea flower, and charcoal from natural fires are layered in thin washes, so the water feels alive with small shifts of light and shadow.
Over it, Brian O’Hara’s gold script turns and loops in his language, with circles that overlap and swing through one another, joined by sweeping curves and a few sharp, upright strokes. No mark stands alone; each one curves into another. Unity is written there, though it reads first as movement, many lines finding their way into one shape.
Free shipping within the continental U.S. Shipping is included in the price of every original. There are no added fees at checkout. Each piece is carefully packed, insured, and shipped with tracking. For international orders, please reach out for a quote.
MODERN HIEROGLYPHIC
The marks begin with words. Brian interprets letters and words through their shape, rhythm, and movement, then writes them in a language that is uniquely his own. Familiar forms are turned, repeated, connected, and layered until they begin to resemble a kind of modern hieroglyphic.
Love is not a feeling, it is a Practice 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
A soft grey sea fades into a warm, misted sky, the horizon nearly gone. Rainwater, butterfly pea flower, and charcoal from natural fires are layered in thin washes, so the water and air seem to breathe into each other.
Across the center, Brian O’Hara writes the phrase in fine white line, backwards, in his language. Loops, dots, and long diagonals cross from sky into water, drawn lightly enough that they almost disappear into the mist. The words are there, though they read first as a quiet gesture, something said softly and meant.
Free shipping within the continental U.S. Shipping is included in the price of every original. There are no added fees at checkout. Each piece is carefully packed, insured, and shipped with tracking. For international orders, please reach out for a quote.
KINDNESS II, 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
A pale, silvered sea under a soft, warm sky, the horizon held in a gentle haze. Rainwater, butterfly pea flower, and charcoal from natural fires are layered in thin washes until the water seems to glow faintly from within.
Along the top, Brian O’Hara’s white script repeats edge to edge like a border or a woven band: circles, diagonals, and open arcs linking hand to hand across the canvas. Each repetition of Kindness leans into the next. The pattern suggests a small kindness passed from one person to the next and carried on.
Free shipping within the continental U.S. Shipping is included in the price of every original. There are no added fees at checkout. Each piece is carefully packed, insured, and shipped with tracking. For international orders, please reach out for a quote.
LOVE IS NOT A FEELING, IT IS A PRACTICE (II), 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
The same quiet sea, the same pale horizon, but here the phrase is written again and again. Brian O’Hara’s white script repeats in rows across the sky, each line slightly different from the last, the way any practice changes each time it’s done.
Below it, the water stays open and still, built from thin washes of rainwater, butterfly pea flower, and charcoal. The writing above is repetitive and the sea below is calm, and together they carry the meaning of the title: love as something returned to every day.
Free shipping within the continental U.S. Shipping is included in the price of every original. There are no added fees at checkout. Each piece is carefully packed, insured, and shipped with tracking. For international orders, please reach out for a quote.
The two processes meet on the surface: her materials drawn from the natural world, his language drawn from words.Each remains distinct while becoming part of the other.
REQUEST A CATALOG