Transcendence II, 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
Here the horizon is drawn clean and sharp: a deep, smoky sky of charcoal set against a bright, silvered sea. Built in thin washes of rainwater, butterfly pea flower, and charcoal, the two fields meet in a single quiet line.
Brian O’Hara’s gold script crosses that line. Written backwards in his language, the angled marks gather into one luminous form that sits half in sky and half in water, holding the two together. Transcendence II reads first as the moment of crossing over.
Transcendence II, 2026
Rainwater, butterfly pea flower, charcoal, and acrylic ink on canvas
Here the horizon is drawn clean and sharp: a deep, smoky sky of charcoal set against a bright, silvered sea. Built in thin washes of rainwater, butterfly pea flower, and charcoal, the two fields meet in a single quiet line.
Brian O’Hara’s gold script crosses that line. Written backwards in his language, the angled marks gather into one luminous form that sits half in sky and half in water, holding the two together. Transcendence II reads first as the moment of crossing over.